You also get a Voicing panel, which lets you set up multiple notes at different positions, creating chords when you input only a single note. Here there’s also vibrato settings including amount and fade-in. When the signals hit the next step, the combination can be completely different.ģ) Instant Supersaws and One-Finger Chordsĭetuning is handled by the dedicated V-Saw panel, where Avenger’s signal generators can be spread apart in a unison style, for those dripping electronic supersaws, or even super-marimbas, should you want something like that. In the image below, one oscillator is going to filter 1, one to filter 3, and a further two are both going through filter 2. You can see where each oscillator is being sent by looking at the effect modules as well. Each has its own routing map and can be sent through a specific chain of processors, independent of what the other oscillators are doing. There are plenty of effects to send Avenger’s oscillators through, but not every single one has to go through the same treatments. Here’s more about that…Ģ) Every Oscillator can have Different Effects The drum machine can be played with the onboard drum sequencer found below the oscillators, and can even be routed through its own effects setup, as can any other oscillator. So here’s what’s so special about VPS Avenger?Īvenger’s got wavetables, analogue signals, sampling, draw-your-own and granular oscillators, but perhaps the most interesting thing to load up is an entire drum machine with a whole library of preset kits and patterns. Vengeance-Sound’s VPS Avenger is a seriously powerful instrument – so much so that it’s possible to use one instance of this ‘synth’ to build an entire track! With comprehensive sequencing, effects routing and even a drum machine onboard it’s probably no stretch to say that this is one of the most ambitious instruments ever made.